Storts Market

by Lesley Storts


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»Collecting Buttons«

Buttons. A necessary sewing and clothing accessory but probably not something most people think about. As a quilter, I rarely made anything with buttons prior to making pincushions. Once Lucy and I started making pincushions, we became very interested in buttons. We have built our button stash buying at big box craft and sewing stores, antiquing, thrifting, garage sales, and eBay.

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»Rifle Paper Co. Fabric by Anna Bond and Pincushions«

Anna Bond of Rifle Paper Co. creates beautiful art! The combination of salt cellars, antique glass and other unique vessels combined with Anna’s fabric created a colorful batch of pincushions to enjoy while sewing.

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»Patty Young Fabric and Pincushions«

My latest batch of pincushions was made using Patty Young‘s fabric line, Lucy’s Garden, by Riley Blake Designs. In an Instagram post, Patty talked about her inspiration for this colorful line. I realized after reading about Patty’s inspiration, that there is a definite ‘art deco’ feel to the prints in this fabric. That element is so appealing to me and probably one reason I really like this line. In addition, I have a daughter named Lucy who was named after 2 grandmothers – so I really like that name.

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Jet Trails Quilt

Do you remember ever having a misperception about something? An experience or a phrase? My uncle thought “chest of drawers” was “chester drawers”. Or misheard lyrics – some of those are really funny! I enjoy having conversations with family and friends and discussing things we have all misunderstood at times. The Jet Trails quilt is about childhood and a misperception.

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»Robin Pickens Fabric and Pincushions«

Fabric designer and quilt pattern maker Robin Pickens has created several lines of fabric with Moda Fabrics. I used fabric from Painted Meadow, Dandi Annie, and Dear Mum to create this batch of pincushions.

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»Sharon Holland Floral Print in Reclaimed Glass Pincushion«

Reclaim – to retrieve or recover

When Lucy and I first started making pincushions, we frequented many antique shops hunting for just the right salt cellars. Over time, we started noticing other small dishes and finally ventured into different pieces to test if they would work. Ashtrays are a very common find. Some of the ashtrays we have found are made in beautiful patterns with interesting glass. Reclaiming and repurposing the glass spurs our imaginations and provides inspiration for creating.

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»Pincushions in Salt Cellars«

My adventure into making pincushions was not planned. I entered a quilt in the National Quilting Association’s (NQA) quilt show several years ago. While there, I was browsing through the vendors and came upon salt cellar pincushions. I was smitten. I bought 3, one for me and each of my daughters. The little salt cellar dishes are unique and charming. I wanted to make them and told my daughter, Lucy, that we should try to make them together. We live in the midwest and there is an abundance of antique stores here giving us ample opportunity to look for old glass. The following summer, after collecting some glass salt cellars, Lucy set out to make the pincushions. She had recently had ankle surgery and was non-weight bearing and looking for something to do because she was bored. She did an amazing job troubleshooting the pincushions. I had a basic idea of how to make them, but she perfected it! Several years and a thousand+ pincushions later, we still love making them – it’s so much fun! I’m a quilter, but now I feel like I’m a pincushion artist too. We have expanded the pincushion containers beyond the salt cellars, but salt cellars are how we started and still my favorite base to use in making the pincushions.

The books pictured above, The Open Salt Compendium and 5,000 Open Salts, A Collector’s Guide, catalog a large variety of salts and include the manufacturer and date of production. Another reference is Salty Comments which was written from 1984-2005 by Ed and Kay Berg. Their early newsletters were written on a typewriter and pictures of salt cellars were hand drawn.

Our process of sewing on a button with matching thread and creating a custom crystal and glass beaded pin gives each pincushion their own personality and appeal. My pincushion journey includes hunting for glass and looking for just the right fabric, or cut of fabric, to make the pincushions. I have met a lot of interesting people and learned so much along the way. I am sure I will continue enjoying the whole process.

Happy Crafting and Quilting! ▶︎ ▶︎ ▶︎


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»Adored Quilt«

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Quilt Quiz:

Q: Favorite Color?
A: Green (but orange is my secret favorite – I’ve just loved green so long that it’s hard to know if it’s replaceable)

Q: Name you favorite quilt?
A: Hmmmm…depends on the project or season

Q: Name the quilt that gives you the most utility?
A: Easy…a yellow and white quilt my mom gave me 15-20 years ago. It’s lives on my bed or the chair in my room. It was perfect for covering kids when they “stopped by” for the night or to take in the car. This yellow and white quilt has been washed repeatedly and is snuggly and soft. It was never intended to be my favorite, but it just might be because of all the use I have gotten out of it. This quilt was pieced from leftovers and given to me by my mom because she did not need another quilt hanging around. I adore this quilt! I love the connection it gives me to my mom and the utility it provides.

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Yellow and White Quilt with a camera shy Benson

After many years of using the yellow and white quilt, I decided to make a pattern so that I could make this quilt for friends and family. One aspect of the quilt that I really like is the size and how it is accommodating for so many different uses. It measures approximately 47″ x 56″.

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Adored quilt with Kona Tiger Lily, Carolyn Friedlander Snake in Ash and a variety of Denyse Schmidt prints.

The pattern is available in the November/December 2018 edition of Modern Patchwork.

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Camping with the yellow and white quilt

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Work in Progress

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Denyse Schmidt Prints

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Happy Quilting! ▶︎ ▶︎ ▶︎


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»Millefiori Study«

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Mille definition — “thousand”
Fiori definition — “flowered”

When I was first exposed to the Millefiori Quilt pattern by Willyne Hammerstein, I was amazed by the process and outcome. I had never heard the word millefiori and did not take time to stop and think about it’s meaning. I was too captivated by the quilts and all of the possibilities.

Millifiori Quilt Blocks

Blocks made by Lesley Storts

This past spring I visited the Chicago Art Institute and walked into the glass paperweight exhibit. I was amazed and awestruck. And then I saw that word again – Millefiore…that was the beginning of my quest to understand what it meant.

Glass Paperweight

Glass paperweight from exhibit at the Art Institute of Chicago.

The word millefiore, which translates to thousand flowered, originates with glass making in Italy from the 18th century. On their website, millefioribeads.org, the authors state that mosaic beads date back much further than that to the 7th or 8th century. A quick Pinterest search of the word millefiori will show quilts, jewelry and paperweights. So many mediums with which to experience this beautiful art – glass, clay, and fabric! As I was touring the paperweight exhibit, it dawned on me that Kaffe Fassett’s fabric, Paperweight, is inspired by this beautiful art.

Paperweight Fabric

Paperweight Fabric by Kaffe Fassett

As a bonus to learning all of this information, I recently found out that a friend of mine is associated with a local glass studio, Glass Axis. He invited me on a tour of the studio to see various methods of creating with glass. The day we went, there happened to be an artist working on blowing glass. It was an intriguing process to watch. The entire studio was full of inspiration! I went home to research the process a little more. The following 5 minute YouTube video of glass making shows this intricate and mesmerizing process.

I now have a better understanding of the inspiration behind the the millefiori quilts. As a quilter, I believe that inspiration can be found everywhere and learning about the millefiori glass paperweights once again confirms this belief. The plan for my millefiori quilt is to make each rosette focused on one color so that when they are all joined together, they feel distinct. I see paperweights with multi colors but I also see them restrained to smaller color palettes. The variance of options creates endless ideas for quilts.

I enjoy looking for paperweights when I antique. I found this beauty for $3 which is a bargain!

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Happy Quilting! ▶︎ ▶︎ ▶︎